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	<pubDate>Tue, 09 Aug 2022 17:32:27 +0000</pubDate>
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		<title>The Shift Show</title>
				
		<link>https://emilybeattie.com/The-Shift-Show</link>

		<pubDate>Tue, 09 Aug 2022 17:32:27 +0000</pubDate>

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The Shift Show invites audiences into a new world that rejects technology as we know it. Instead a new kind of power is produced by the catalytic offloading of objects, movements, and words we need to shed. Spoken word poet U-Meleni Mhlaba-Adebo, dancer Emily Beattie, designer Rosa Weinberg, musician Akili Jamal Haynes aka CHIBUZO DUNUN, and a mysterious organism playfully guide audiences through a ritual. The performance is immersive and inherently interactive.&#38;nbsp;
Our intentions are to shift beyond our realities, empower a new source and encounter new objects, ways of moving, and ways of speaking. In The Shift Show, the powerful exchange between the performers and each audience member transforms the performance into a collective ritual of joy. Together we gather objects, speak in unison, and move. The work is immersive, interactive, and experimental in nature. Heavily based on speculative futures but reactive to current events, The Shift Show is meant to be personally cathartic and communally healing for all.


This work was collaboratively created by U-Meleni Mhlaba-Adebo, Rosa Weinberg, Emily Beattie, and Akili Jamal Haynes.

Choreography by Emily Beattie

Written Word by U-Meleni&#38;nbsp;Mhlaba-Adebo

Set Design by Rosa Weinberg

Music Performance and Sound Design by Akili Jamal Haynes aka CHIBUZO DUNUN

Produced by Anne Dresbach

Costume design by Heidi Henderson

The work is supported in part by the Live Arts Boston grant from The Boston Foundation. Grateful to the Microsoft Garage in Cambridge, MA for residency and space for project development.
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		<title>Bordes! Bordres Bordes!</title>
				
		<link>https://emilybeattie.com/Bordes-Bordres-Bordes</link>

		<pubDate>Sun, 01 May 2022 00:46:29 +0000</pubDate>

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		<description>Bordes! Borders! Bordes!
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Photo Credit:&#38;nbsp;LUMYR 2022

Puerto Rican artists Beatriz Irizarry, Cristina Lugo, Marili Pizarro will collaborate with Boston-based artists Emily Beattie, Jimena Bermejo, and Callie Chapman, and composer Guarionex Morales-Matos, to create a performance through chance, research, and telematics.Press Release in English
Press Release en Español

June 9th 2022 11-1pm Workshop with artists
June 12-15 2022 Residency at Dance Complex
June 15th 6pm 2022 Community Social at Cultural Agóra
June 17-18 8pm 2022 Performances at Dance Complex at Canal
This project was funded in part by the Live Arts Boston Grant from the Boston Foundation and the Cambrige Arts Council.&#38;nbsp;
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		<title>Hyphae</title>
				
		<link>https://emilybeattie.com/Hyphae</link>

		<pubDate>Fri, 11 Jun 2021 19:19:57 +0000</pubDate>

		<dc:creator>emilybeattie</dc:creator>

		<guid isPermaLink="true">https://emilybeattie.com/Hyphae</guid>

		<description>
Hyphae


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Photo Credit: Olivia Moon&#38;nbsp;@ Art AssembledHyphae is an interactive performance inspired by the behavior of mushrooms that brings together choreographer Emily Beattie, poet U-Meleni Mhabla-Adebo, and designer Rosa Weinberg into collaboration with their audience to create a single networked organism. Hyphae is funded in part by the Boston Foundation’s 2021 Live Arts Boston Grant. 

In September 2021, we invited an intimate audience to enter our world for our Avant Premiere consisting of a series of prototypes in a theatrical frame. We shared speaking, moving, and built a table for feasting together.</description>
		
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	<item>
		<title>A Weight All Over</title>
				
		<link>https://emilybeattie.com/A-Weight-All-Over</link>

		<pubDate>Wed, 17 Feb 2021 19:19:31 +0000</pubDate>

		<dc:creator>emilybeattie</dc:creator>

		<guid isPermaLink="true">https://emilybeattie.com/A-Weight-All-Over</guid>

		<description>A Weight All Over


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Photo Credit: Olivia Moon
Choreography and Performance: Emily Beattie
Sound Design: Eric Gunther
Performance Venue: Starlight Theater, Cambridge MA.
October 2020
I created this solo as a response to the pandemic and suddenly parenting full time. I felt there was a story of all the caregivers, but particularly women who were bearing the brunt of this major global shift. 
This opportunity was through the pop-up outdoor stage at the Starlight Square. &#38;nbsp;
</description>
		
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	<item>
		<title>See &#124; Be Seen</title>
				
		<link>https://emilybeattie.com/See-Be-Seen-1</link>

		<pubDate>Thu, 06 Feb 2020 01:30:07 +0000</pubDate>

		<dc:creator>emilybeattie</dc:creator>

		<guid isPermaLink="true">https://emilybeattie.com/See-Be-Seen-1</guid>

		<description>See &#124; Be Seen&#38;nbsp;


See &#124; Be Seen is a mysterious dance trio that conjures female empowerment in shadow and brilliant light. Witnessing the dance from outside the crystalline inflatable, the audience observes the construction of a utopian performance space that only follows the performer’s curiosity, whimsy, and pleasure. 

 
Otherworldly performers Emily Beattie, Jennifer Roberts and Cari Ann Shim Sham* provide incantations of movement and light. They confront injustice and objectification with powerful healing and reclamation. See &#124; Be Seen creates a luminescent and shadowy world that allows both delicate intimacy and thunderous ferocity free reign.
Read the Bay State Banner review!



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Photocredit: Melissa Blackall

</description>
		
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	<item>
		<title>Dance Like No One is Whale Watching</title>
				
		<link>https://emilybeattie.com/Dance-Like-No-One-is-Whale-Watching</link>

		<pubDate>Sat, 15 Jul 2017 17:21:35 +0000</pubDate>

		<dc:creator>emilybeattie</dc:creator>

		<guid isPermaLink="true">https://emilybeattie.com/Dance-Like-No-One-is-Whale-Watching</guid>

		<description>Have You Ever Dreamed of Whales?




Dance Like No One is Whale Watching invites you to a communal space for dreamers, dancers and orca whales.
Dance Like No One is Whale Watching is an immersive experience and play space created to evoke the fantasy of life as an orca whale. The cosmically charged performance and encounter is wrapped in a billowy inflatable and illuminated with visuals from the open ocean. Audiences’ names are transformed into whale calls and woven into an ethereal soundtrack.&#38;nbsp; Participants are guided through a series of mystic exchanges, collaborative games, and otherworldly performance, inspired by the mighty and mythical existence of orca whales.&#38;nbsp;
Collaborating Artists: 
Emily Beattie, Cari Ann Shim Sham*, Mary Hale, and Eric Gunther

Funded by NEFA's New England Dance Fund, The Boston Foundation's Live Arts Boston Grant &#38;amp; Next Steps Boston Dance.

With support from&#38;nbsp; NYU Tisch School of the Arts, Art, Culture, and Technology department at MIT, Endicott College, and Tufts University.

Currently booking for 2019 and beyond.&#38;nbsp;

Residencies and Workshops

Residency and Showing at MAGMA July 2018&#38;nbsp;Avant Premiere at the Imagine Fest at Earth Dance, September 2017

Process Images:


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</description>
		
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	<item>
		<title>Antennae</title>
				
		<link>https://emilybeattie.com/Antennae</link>

		<pubDate>Sun, 26 Apr 2015 15:59:34 +0000</pubDate>

		<dc:creator>emilybeattie</dc:creator>

		<guid isPermaLink="true">https://emilybeattie.com/Antennae</guid>

		<description>Antennae
&#60;img width="3358" height="1890" width_o="3358" height_o="1890" data-src="https://freight.cargo.site/t/original/i/cbe8a9a7f44430da43f85572b077f6a24845f4209864ee7d705677a7cedc0603/Figure_4.jpg" data-mid="21741768" border="0"  src="https://freight.cargo.site/w/1000/i/cbe8a9a7f44430da43f85572b077f6a24845f4209864ee7d705677a7cedc0603/Figure_4.jpg" /&#62;Emily Beattie and Brian Knoth present an interactive dance and sound performance for the gallery space. Antennae is an intimate process of physically sorting through noise to find a solid signal. We are exploring what it might look like to decipher noise through the body.

The movement from Emily is captured with the Kinect camera and outputted to a visual programming environment for multimedia systems that Knoth has developed and customized. Through triggering sonic events and bending sound the space becomes an instrument that Emily can play. A confrontation of the self image surfaces and sinks in a compilation of interactive sound, recorded sound, and live sound. Imprints in form, movement, and sound guide the performer and viewer through Antennae.
Antennae has been presented at the following places:&#38;nbsp;

Ammerman Center for the Arts at Connecticut College April 2016
Festival of the Moving Body Stony Brook University 2015Trident Gallery Live Arts Series, Trident Gallery April 2014 
Embodied Processing, Dance Complex, October 2014



Process Images


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	<item>
		<title>See &#124; Be Seen</title>
				
		<link>https://emilybeattie.com/See-Be-Seen</link>

		<pubDate>Sun, 05 Aug 2018 16:26:03 +0000</pubDate>

		<dc:creator>emilybeattie</dc:creator>

		<guid isPermaLink="true">https://emilybeattie.com/See-Be-Seen</guid>

		<description>See &#124; Be Seen Series&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/27876c575fdb4e83b0fa5ba16403b9969c9e111f8c715cfff4d17dce7689d5e5/IMG_5374.JPG" data-mid="21738086" border="0"  src="https://freight.cargo.site/w/1000/i/27876c575fdb4e83b0fa5ba16403b9969c9e111f8c715cfff4d17dce7689d5e5/IMG_5374.JPG" /&#62;

See &#124; Be Seen Series began as a project to explore aspects of female embodiment in the proscenium space. I was interested in how expectations of a female figure in society and expectations of a female figure in a traditional stage space compare. My hope was to give depth, traction, and life to the onstage behaviors that female identified characters through a series of processes with other artists. So far I have worked with 16 college-aged dancers, 3 highschool dancers, and 3 professional dancers near my age. Each a time I go back into the piece it offers each a different angle to approach this topic. I think I will keep going.

See &#124; Be Seen has been seen:

The Dance Complex, Duet version II&#38;nbsp; April 2018
Winsor School, Trio version Feb 2018
The Dance Complex, Duet version IJanuary 2018
Endicott College, Octet version December 2017
Collaborating Artists:&#38;nbsp;Whitney Cover, Allyson Eposito, Irene Hsi, Endicott College Dance Ensemble, Winsor School Dance Company
</description>
		
	</item>
		
		
	<item>
		<title>ME ANTHEM</title>
				
		<link>https://emilybeattie.com/ME-ANTHEM</link>

		<pubDate>Tue, 04 Mar 2014 13:51:24 +0000</pubDate>

		<dc:creator>emilybeattie</dc:creator>

		<guid isPermaLink="true">https://emilybeattie.com/ME-ANTHEM</guid>

		<description>ME ANTHEM

Me Anthem description: Wearing a body microphone to capture her movement’s auditory artifacts, Emily Beattie's dancing generates the raw sound-source for Jonathan Snipes live-processed electronic composition in a dynamically structured improvisation—one that uses strategies of mirroring and echoing to escalate the duo's physical and sonic feedback to a fevered pitch.
Presented:
Studio Series at Roy and Edna Disney CalArts Theater, Los Angeles 2013

Collaborating Artists: Jonathan Snipes

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	<item>
		<title>Rolling Point &#124;  Interactive Installation</title>
				
		<link>https://emilybeattie.com/Rolling-Point-Interactive-Installation</link>

		<pubDate>Tue, 04 Mar 2014 13:51:26 +0000</pubDate>

		<dc:creator>emilybeattie</dc:creator>

		<guid isPermaLink="true">https://emilybeattie.com/Rolling-Point-Interactive-Installation</guid>

		<description>Rolling Point




Dancer Emily Beattie and media artist Eric Gunther team up to create an interactive film installation called ROLLING POINT. Multiple large projections create an immersive environment exploring the resonance between our bodies and the bodies we watch on screen. Through interactive technology, visitors’ movements are linked with the movements of a dancer on film. An electroacoustic soundscape swells as visitors move with the film. Performed by you and me!

Performances: Paul W. Zuccaire Gallery at Stony Brook University July 2017
Collaborating Artists: Eric Gunther



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